When strange, supernatural murders suddenly become the talk a peaceful town, two detectives must solve a deadly game, but will the myth of this game reveal secrets too close to home.
A mysterious force knocks the moon from its orbit around Earth and sends it hurtling on a collision course with life as we know it.
With the form of remote audio conversation for its main narrative, the essay film consists of four chapters, each of which has its own focus but is also interconnected with each other. Blending voice narratives in four languages, moving images and literary texts, the film is mainly made from home video collections created in the 1990s from both filmmakers’ families, with home videos shot in the 1960s by a Hong Kong family as interludes. The film not only unfolds how East Asian families created their own image with amateur filming devices but also tells stories of migration, travelling, growing and familial relationships.
Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.
A story about how the daughters deal with a dad with Dementia.
18-year-old school girl Shengnan enters a night of adventure in the adults’ world.
“Invited In” centers around an anxious and timid freshman named Annie, who finds herself mid pandemic realizing how isolated she has been her whole life. The feeling is heightened because of the pandemic which forces her to get out of her comfort zone and connect with someone. She makes her first “real” friend through social media with Emmy, the bright and “genuine” lifestyle influencer over Zooms until Annie is exposed to how artificial online friendships can be.
Containing never-before-seen materials, including deleted scenes, behind-the-scene footage and selected narration by Wong Kar Wai, ONE-TENTH OF A MILLIMETER APART chronicles the tales behind featured shots and scenes that narrowly missed out on the final cuts of ASHES OF TIME (1994), CHUNGKING EXPRESS (1994), FALLEN ANGELS (1995), HAPPY TOGETHER (1997), IN THE MOOD FOR LOVE (2000), 2046 (2004), MY BLUEBERRY NIGHTS (2007) and THE GRANDMASTER (2013).
A producer convinces some young creators of horror props to set up a ‘haunted house’ and use it as a film set. The building is an old haunted film studio: 30 years earlier an actor in a clown costume went mad and killed himself and his lover in a fire. But by communicating with the ghosts, the kids discover that the real story of what happened is quite different… A passionate, vintage-styled homage to the Hong Kong horror comedies of yesteryear.
Mosaic, an urban sketch artist suffering from motor neurone disease, meets an old school friend, Angelfish, at a class reunion. As his illness takes a tragic hold, he asks her to fulfil one wish – to be his girlfriend for just a day.
Based on true event, the story starts with Ka Chun (Chiu Sin Hang), an ordinary white-collar, storms the city by leaking over 3,000 photos of part-time-girlfriends (PTGF). After a series of unfortunate love, Ka Chun decides to seek relationships with PTGF and soon becomes a master on YouTube admired by thousands of netizens, namely “Score of 100”. A life turning point emerges when Ka Chun finds out that the girl Tsz Shun (Larine Tang) he has a crush on is also a PTGF. How would they overcome the hardship and survive in the cruel world of internet?
Livelihoods intersect in a “Ladies Market” in Hong Kong.
Story follows Guy and Heidi five years into their relationship and faced with a serious dilemma: Whether or not it is time to marry and form a family. They’re equally in love, and their relationship is going strong. But while Heidi is ready to settle down and believes that marriage is proof of one’s everlasting love, Guy holds the belief that marrying Heidi will result in him being tied down to a woman that he will one day grow distant from. Heidi consults her girlfriends for advice, and Guy consults the guys. What follows is an outright battle of the sexes, as Heidi plots devious ways of getting pregnant—with marriage as an end goal—as quickly as possible, and Guy schemes up a handful of contraceptive counter-strategies.
It’s a love story between a Hong Kong girl and an Indian boy, set in Hong Kong. It encapsulates the drama of conflicts caused by racial discrimination as well as differences in social-cultural, lifestyle, and family values. At the same time, it combines the emotions of tears, joy, and humor with song and dance.
The co-directorial debut of advertising director Ng Wing-shan and actor Yeung Chiu-hoi tells an affecting tale of female friendship and unlikely first loves. Nam and Yuet have been best friends since their school days. On the night before Yuet’s wedding, Nam recalls their time together in school, when they shared a relationship that was more than friendship, but also perhaps not quite love. This lovingly nostalgic and bittersweet film offers a unique feminine twist on the well-worn youth romance formula.
